When Grammy-winner Marc Cohn first saw her perform, he called himself “an instant Gillian Grassie fan,” observing, “it’s rare to hear a young singer with such control and understated soulfulness, and even more rare to hear a harp provide such a deep percussive groove. I was immediately captivated by her sound.” Traveling the world with her harp on her back and her heart on her sleeve, Gillian’s compositions challenge the conventions of her instrument and showcase a knack for “turning seemingly insignificant events […] into songs worthy of everyone’s attention,” (Origivation Magazine). Her music will appeal to fans of Bon Iver, Feist, Norah Jones, and Regina Spektor.
Gillian’s modern approach the harp, expressive vocals, and sophisticated but relatable songwriting have earned her grants from the Thomas J. Watson Foundation and the U.S. State Department, a slew of awards, and the devotion of her fans, who collectively funded her sophomore album, The Hinterhaus, with a successful kickstarter campaign that allowed her to partner with producer Todd Sickafoose (Anaïs Mitchell, Ani DiFranco, Erin McKeown) and an all-star line-up of guest musicians, including Grammy-winner Janis Ian (also a backer of the project).
Gillian studied Comparative Literature and Creative Writing at Bryn Mawr College, and her songs are often inspired by literary works, pulling inspiration from authors and poets like Philip Larkin, Robert Frost, Samuel Taylor Coleridge, George Luis Borges, William Faulkner, and Francis James Child, as much as from her musical influences, which range from Joni Mitchell and Patty Griffin, to Björk, to Billie Holiday, Fats Waller, and Nat King Cole. Ultimately, it is her engaging stage presence and ability to strike the delicate balance between innovative and accessible that wins over her audiences. One fan described her as “an awesome combination of Pippi Longstocking, drinking buddy, and the Mata Hari. Trust me, you never saw anything like this.”
Extensive touring has seen her playing concerts across North America, South America, Europe, and Asia over the past five years in performances have ranged from a moving train in Mumbai, to a private gala for HRH Prince Albert of Monaco, to a 17th century church in Sicily, to an opening slot for Amanda Palmer, to a sold out club in Siberia. She has conducted master classes for the American Harp Society and led songwriting workshops for The School Vor De Kunsten in The Netherlands.
Her latest release, The Woodlands Sessions, has been praised as “soulfull…ravishing…dazzling…” (Philadelphia Magazine), and showcases Gillian’s voice, which beckons listeners into intimate and sometimes devastating story-songs. A Philadelphia native, Gillian has made a new home for herself in the vibrant art scene of Berlin, Germany. She enjoys baking elaborate desserts and has an inordinate fondness for animals.
“…sweetly smitten one moment, winking sass the next, with stops at wistful melancholy and razor-sharp realism along the way. Her songwriting is the same Tamlin-esque shape-shifter, moving through time and place with literary ease.” -Folk All Y’All
“The harp in this context is simply exciting.” -Taxi
“An innovator par excellence.” -Ticket Magazine